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Soft Cell's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond in Leeds in 1977

Dave Ball, one half of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the team scored a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is regarded as a classic of electronic music.

He subsequently founded the innovative electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died calmly in his rest at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that show, Ball appeared in a wheelchair, as he had for the last two years, after a spate of ill-health.

"I ended up injure myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my back and cracked about five ribs and broke my wrist."

After catching a lung infection and developing blood poisoning, he was placed in an induced coma and remained in hospital for half a year.

However, he had been in "a great place emotionally" over the warmer months, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is set for release in the coming year.

"He was concentrated and very pleased with the latest project that we actually completed only a short time ago," stated the vocalist in a tribute.
"It's so sad as next year was all set to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the songs you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is different from joining a group, the connection is incredibly close," he continued.
"That was the case with us. We experienced so many remarkable, incredible, life-affirming moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Born into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He grew up in Blackpool with his new family Donald and Brenda Ball, who altered his given name from Paul to David, together with his younger sister his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both studying art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the same year, and promptly recorded an extended play.

Musical Partnership

The duo were an distinctive combination: Ball was the reserved musician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and eye-liner; but they attained a rare creative synergy.

Ball had developed a fascination with electronic instruments after watching Kraftwerk appear on BBC program a popular series, and started to combine dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second biggest-selling song of 1981, shifting 21 million units worldwide. Alongside successful tracks by Gary Numan, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 80s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were working on fresh songs right up until Ball's death

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my first home, having money and travelling, which makes me sound like a Miss World," Ball recently told with a publication.

But it also caused challenges. "Newfound wealth allowed we could purchase substances to alleviate the boredom" of press appearances and TV performances, Ball said.

"I realize that's a cliché, but it's a cliché for a valid cause, because it applies for so many bands."

During the party-filled existence, the pair were also drifting apart, but they succeeded to produce a second classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out another album, 1984's This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond went on to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the charting album Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, that year.

However, they remained active, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the band's new album as a tribute to the NYC nightlife they visited while recording their first two albums.

He noted that his time in medical care had shaped the group's music.

"I experienced unusual memories when I was coming and going of hospital because I was on morphine," he told a publication.
"The new songs are a electronic representation of the noises in my head from those days.
"Simultaneously, it's about the times we got up to in the 80s."

The last versions were completed only a short time before Ball passed away. It is due for launch in Spring 2026.

The writer

John Stanley MD

Maya Chen is a tech journalist with over a decade of experience covering UK tech startups and digital innovation trends.

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